I heard a spot I made on an AM station through a clock radio the other day and it was crystal clear.Īrcher Dusablon, : I want to give a shout out to the man down under who came up with the app Ses2Sesx, which converts the old Cool Edit and Adobe 1 - 3. It just makes the production pop more and sound way better. Also, if you can, get a Waves pack, ANY pack. I love using Audition now because it's such a simple way of making great sounding spots. The settings on the plugins are pretty universal for every voice, so it only needs to be tinkered with a little bit. It makes it easier on a Friday when all of the last minute spots come in, and I don't have to worry adding each individual plugin every time. I have a basic "Session Template" with this structure on it that I copy into all of my session folders and then 'Save As' with new sessions. The bus is then sent to my master track that has some more processing on it. Like I said, easy, but for a newcomer it can be really helpful.īen Thorgeirson, : I set up my Adobe with 2 vocal tracks at the top and they are sent to a bus to be processed. This means all three are now in one, much simpler to move around and keep track of. Once I have them placed where I want them to be so the robot voice sounds the best it can, I highlight all three and bounce into a single track. I keep an original, and two other bounces: one for the high octave one for the low octave. I do this because it's easier to move one file than trying to move a bunch of files, especially when you need to be precise when moving the files. This is really helpful when you want to make a group of clips into one clip. And voila! That clip is now its own little file. Then paste it into a different track (I use the bottom tracks so my track numbers don't change) then right click on the clip and at the bottom of the menu you will see bounce - bounce selected audio only. When working with a sound file in Audition, if you want to mess around with a certain part of the file, and you don't want to change the original file you can copy the part of the file that you want. All that's needed on the main track is an announcer specific EQ.Īlexander Zaretsky, Student, SAIT, Calgary, Alberta: It's an easy trick, but if you’re new to Audition or any DAW, this tip can be very helpful. Any new tracks I add that I intend to put voice on, I set them to my VO bus which has a dynamics processor and a hint of compression.
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I have one regularly set up in my default session for voice parts.
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Hot keys save me what might only seem like a few seconds here or a minute there, but when we're moving on to commercial number 145 of the week, that adds up really quick.Īnother tip I've picked up along the way is to take advantage of tailoring your bus tracks.
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Full session mixdown? Toss a bit of compression on a mix? Need to normalize a file really quick? Just a push of a button and your favourite settings are applied. Something that's easy for you to remember, and then make that hot key your second nature. Use them till their location in the deepest sub-root menu and what action is being performed is burned into your psyche. Russell More, Producer, Island Radio/Jim Pattison Broadcast Group, Nanaimo, BC: I use Adobe every day and the biggest thing I preach to anyone I teach is to first know what plug-ins/features/actions they're using. Once you realize the virtual mixer works the same as a hardware mixer, it opens up lots of possibilities using Sends and Subs and applying effects there once, instead of applying effects multiple times across multiple tracks. The same things that work in previous versions still apply, like setting up your personal keyboard shortcuts if you use dual monitors, setting up what you need to see in Waveform and Multitrack view.
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There are so many small changes that will make a big difference in your workflow, particularly if you use Time Stretch frequently.
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Q It Up:What Adobe Audition tips or tricks have you learned lately? Maybe a new way to set up the mixer? Editing techniques to speed things up? A cool way to use a plug? Feel free to add any other related comments and thanks for your feedback!Ĭraig Jackman, Professor – Radio Broadcasting, School of Media, Arts, and Design, Loyalist College: If you are used to using Audition 1.5 or 3 and find yourself upgrading to Audition CC or CS6, it’s worth taking the time to go through the Audition Classroom in a Book, which is about $45 on Amazon.