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In this statement, Sonny was depicted as a scared animal. It is because of statements like the following: “Yet, when he smiled, when we shook hands, the baby brother I’d never known looked out from the depths of his private life, like an animal waiting to be coaxed into the light” (Baldwin 127). As mentioned earlier, Sonny’s future role in the life of his older brother was not obvious.
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Once again the discussion goes back to the original assertion that Sonny was the prodigal son who eventually became the savior of his older brother. The glowing glass on the piano above Sonny, his personal cup of trembling, has become, in effect, a shining halo above Sonny’s head his sinning and suffering and redemption, in some way, have sainted Sonny (Tackach 117)
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And like the people of Jerusalem in the Old Testament story, Sonny has suffered God’s fury, but is now free from affliction. Like the sinners in the book of Isaiah, Sonny had sinned he has, indeed, drunk from the cup of trembling. The following is a typical reaction from literary experts:
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All eyes bored down on the sins of Sonny. Conventional criticisms of the story echo the same reaction. All eyes were focused on the sins of Sonny. However, this message was not clear to those who were reading the story. The story unfolded without giving any clue that the black sheep of the family, the drug addict, and the less successful brother was the one who will someday liberate the older brother from bondage. It was also the same person that prepared the reader to the eventual return of the prodigal son. The older brother learned that Sonny had to go through a certain type of rehabilitation process. He was locked up, but the older brother knew about his circumstances through a common acquaintance. In the beginning of the story the readers were told that law enforcement officers apprehended Sonny because of his drug habit. He stands in stark contrast to his older brother, because he was the born leader.
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He fits the usual image of the prodigal son, because he was the youngest child and he was carefree. The fact that Sonny was the black sheep of the family was obvious even in the story’s opening paragraphs. However, a closer examination of the story will reveal that this is a modern version of the story of the prodigal son who came back to save his older brother. The reader wants to go along with the ride, eager to know the end of the story. Therefore, it is hard to analyze what was written. There was no need to say more, as the reader immediately understands the kind of economic and social struggles teenagers are contending on a regular basis. He wrote several films include: Go Tell It on the Mountain(TV film), Where the Heart Is, and I Am Not Your Negro(nominated- Academy Award for Best Documentary Feature).Consider the following line: “their heads bumped abruptly against the low ceiling of their actual possibilities” (Baldwin 123). He wrote several books include: Go Tell It on the Mountain(Semi-autobiographical novel), The Amen Corner(play), Notes of a Native Son(essays), Giovanni's Room(novel), Nobody Knows My Name(essays), Another Country(novel), The Fire Next Time(essays), Blues for Mister Charlie(play), Going to Meet the Man(Short stories), Tell Me How Long the Train's Been Gone(novel), No Name in the Street(essays), If Beale Street Could Talk(novel), The Devil Finds Work(essay), Just Above My Head(novel), Jimmy's Blues(poem), The Evidence of Things Not Seen(essays), The Price of the Ticket(essays), Jimmy's Blues and Other Poems, A Rap on Race(with Margaret Mead), A Dialogue(with Nikki Giovanni), and Little Man Little Man(children's novel). He was an American novelist, essayist, playwright, poet, activist and social critic. James Arthur Baldwin was born in Harlem, New York City, New York, USA.